Credits spread from Tori Amos: Little Earthquakes – The Graphic Album. Pale green type and botanical drawings of pinecones, evergreen branches, and curled ribbons appear on dark forest-green pages, with the main credits framed in a circular wreath.
Foreword spread from Tori Amos: Little Earthquakes – The Graphic Album. Cream serif text fills two columns on a dark forest-green page, while the facing page features a distressed pale-green square containing a shadowy black portrait.
“Silent All These Years” spread from Tori Amos: Little Earthquakes – The Graphic Album. Lyrics appear in cream on dark green beside David Mack’s watercolor illustration of a blue-haired mermaid swimming underwater among birds and reaching hands.
“Happy Phantom” spread from Tori Amos: Little Earthquakes – The Graphic Album. Lyrics appear in cream on dark green beside Andrea Bell’s comic panels of two girls gathering beet roots, hearing a distant bell, and embracing in a flowered forest.
Open spread from Judas Priest: Screaming for Vengeance – 40th Anniversary Graphic Novel. Yellow pages use orange lightning motifs; the right page shows red line art of the Hellion above a ruined building, with the Judas Priest logo and title below. (
Credits spread from Judas Priest: Screaming for Vengeance – 40th Anniversary Graphic Novel. A red circular graphic and white sword-like form cross the yellow pages, with white production credits aligned along the right side. (original inks by Christo
Gallery spread from Judas Priest: Screaming for Vengeance – 40th Anniversary Graphic Novel. A raven flies across a red circle on the left; the right page shows a robot fighting a mechanical dragon above a teal city under an orange sky. (Composited fr
Open endpapers of Judas Priest: Screaming for Vengeance – 40th Anniversary Graphic Novel. Bright yellow paper is decorated with subtle orange lightning bolts and diagonal lines.
Open title spread from Mötley Crüe: The Dirt Declassified. The design resembles an aged classified file, with stained tan paper, black government-style type, a red pentagram, and a red DECLASSIFIED stamp across the title.
Credits spread from Mötley Crüe: The Dirt Declassified, designed as an aged government file. Cream documents are clipped to stained tan paper and filled with typewriter-style credits, crossed-out Top Secret labels, and red DECLASSIFIED stamps.
Surveillance gallery title spread from Mötley Crüe: The Dirt Declassified, designed as an aged government file. A cream document labeled “Surveillance Images” is paper-clipped to stained tan paper and marked with red DECLASSIFIED stamps.
Title spread from Halestorm: Hyde Manor. An aged jack of hearts card shows the entrance to a grand stone manor with red flowers beside the steps, layered over other playing cards on a dark wood background.
Credits spread from Halestorm: Hyde Manor. Production credits appear in red on oversized, stained playing cards layered over dark wood, with a colorful queen of hearts card at the center.
Gallery spread from Halestorm: Hyde Manor. A stained jack of diamonds card introduces the gallery beside a green-lit illustration of two women, one in a tank top and one in a jacket, standing before a dark mirror.
Open endpapers of Halestorm: Hyde Manor, patterned with scattered, worn playing cards in red, black, blue, and yellow across a dark wood background.
Title spread from Eternal Blue: A Spiritbox Graphic Novel. Glowing light blue title text and a circular eye symbol appear over a dark blue-and-purple city scene, where a woman in a white dress faces a towering mechanical structure.
Title spread from Eternal Blue: A Spiritbox Graphic Novel. Glowing white title text and a circular eye symbol appear over a dark blue-and-purple city scene, where a woman in a white dress faces a towering mechanical structure.
Chapter One spread from Eternal Blue: A Spiritbox Graphic Novel. Glowing blue text reading “This Could All Be Yours” and an eye symbol float among deep blue clouds, above silhouettes of black hands reaching upward.
Gallery spread from Eternal Blue: A Spiritbox Graphic Novel. A blue collage of characters fills the left page, while the right shows a nude blue figure curled on a white crescent beneath a glowing moon in a starry black sky.
Open endpapers of Eternal Blue: A Spiritbox Graphic Novel, covered with painterly clouds in shades of navy, cobalt, and violet, scattered with tiny pink and white stars.
Open spread from Critical Role: The Chronicles of Exandria – The Mighty Nein. “Impressions of Beauregard Lionett” and notes fill the left page; the right features a red-and-blue-lit portrait of Beau with a high bun, gold hoops, and a septum ring. Art
Open spread from Critical Role: The Chronicles of Exandria – The Mighty Nein. Notes titled “Impressions of Caleb Widogast” fill the left page; the right features a warm, blue-lit portrait of Caleb in a fur-collared coat with his cat, Frumpkin. Art by
Open spread from Critical Role: The Chronicles of Exandria – The Mighty Nein. The left shows Fjord underwater beneath a burning ship and curling tentacles; the right depicts him holding a glowing orb as purple tentacles coil around his shoulders. Art
Open spread from Critical Role: The Chronicles of Exandria – The Mighty Nein. A black-sailed ship crosses a glowing blue sea beneath a vast curling wave on the left; three smaller illustrations on the right show the ship and its passengers at night.
Chapter Three spread from Critical Role: The Chronicles of Exandria Vol. 2: The Legend of Vox Machina. Chapter three “Old Business” text fills the left page, beside portraits of Keyleth in autumn leaves and Vex’ahlia in a blue fur-trimmed coat.
Open art spread from Critical Role: The Chronicles of Exandria Vol. 2: The Legend of Vox Machina. Pike glows gold while fighting undead on the left; Percy fires his gun at skeletal creatures in a dark forest on the right.
Open art spread from Critical Role: The Chronicles of Exandria Vol. 2: The Legend of Vox Machina. Grog, Percy, and Scanlan appear in a dark group portrait on the left, facing a brightly colored portrait of Keyleth.
Open art spread from Critical Role: The Chronicles of Exandria Vol. 2: The Legend of Vox Machina. Vax falls underwater among enormous blue hands on the left; the right shows Keyleth grieving beside Vax’s body as two birds perch nearby.
Open art spread from Critical Role: The Chronicles of Exandria Vol. 2: The Legend of Vox Machina. Delilah Briarwood blasts Vex’ahlia with green magic, hurling her backward through pale light. On the right, Vax’ildan’s pale face emerges from black tho
A painting of a landscape with tall cliffs, a pink blossoming tree, and a sunset sky filled with clouds.
Open spread from SLIP: Naked in Your Own Words. Three narrow, teal-lit photographs show a nude woman twisting and folding her body, with white gutters dividing the images against a dark green background..
Open spread from SLIP: Naked in Your Own Words. A nude bald man stretches his arms overhead in a narrow photograph, while a personal essay and a larger portrait of him holding one hand over his chest fill the facing pages.
Open spread from SLIP: Naked in Your Own Words. Dark blue photographs show a nude woman arching backward with her arms raised, framing a white column containing her personal statement and signature.
Open spread from SLIP: Naked in Your Own Words. Three blue-gray photographs show a nude, tattooed woman crouching and posing with one arm raised, her figure divided into narrow panels across both pages.
Open spread from SLIP: Naked in Your Own Words. Dark portraits show a nude woman with short purple hair leaning forward and covering her face, beside her personal statement, signature, and a small crowned-face sketch.
Title Page (English)

Title Page (English)

Title Page (Japanese)

Title Page (Japanese)

Title Page (Korean)

Title Page (Korean)

Title Page (Chinese)

Title Page (Chinese)

Title Page (Spanish)

Title Page (Spanish)

Title Page (Portuguese)

Title Page (Portuguese)

Title Page (Italian)

Title Page (Italian)

Title Page (German)

Title Page (German)

Title Page (French)

Title Page (French)

Title Page (Russian)

Title Page (Russian)

Chapter One (English)

Chapter One (English)

Chapter One (Chinese)

Chapter One (Chinese)

Open book with white pages, showing the title "GAREN" and "First Shield" by Anthony Reynolds and the League of Legends logo.
Open book with a contents page listing chapters and page numbers, with a ruler along the right edge, on a black background
An open book showing pages with text. The left page is numbered 10 and the right page is numbered 11, with visible chapters and headings.
Open book showing pages 12 and 13 with text from a novel or story.
Title page from Cheech & Chong’s Chronicles: A Brief History of Weed. A large green cannabis leaf frames the brown, cream, and yellow title lettering over faded pastel illustrations on aged paper; the facing page is blank.
Credits spread from Cheech & Chong’s Chronicles: A Brief History of Weed. Cartoon portraits of Cheech and Chong appear on the left, while rainbow-colored smoke rises from a glass bong behind the production credits on the right.
Gallery spread from Cheech & Chong’s Chronicles: A Brief History of Weed. A cannabis-leaf collage and small flying figures fill the left page; the right shows Cheech and Chong in a surreal green, orange, black, and white illustration.
Open endpapers of Cheech & Chong’s Chronicles: A Brief History of Weed, patterned with rows of light green cannabis leaves against a dark green background.
Open title spread from Cheech & Chong’s Chronicles: A Brief History of Weed. Green cannabis leaves repeat across a mustard-yellow page beside an explosive orange title graphic, a smoking joint, and a comic panel of Cheech and Chong lying together.
Credits spread from Cheech & Chong’s Chronicles: A Brief History of Weed. Sepia line art covers wood-textured pages, with a Volkswagen van at the center, character scenes around it, and white production credits arranged on both pages.
Gallery spread from Cheech & Chong’s Chronicles: A Brief History of Weed. A sepia title page with a van and comic panels faces an illustration of Cheech and Chong embracing beside a microphone under a yellow spotlight.
Afterword spread from Blondie: Against the Odds. A bold black-and-white illustration of Debbie Harry singing into a microphone fills the left page, facing Victor Bockris’s essay “Blondie in Black and White” in three columns.
Afterword spread from Blondie: Against the Odds. Victor Bockris’s essay continues across four narrow columns of black text, with faint gray comic artwork visible beneath the white pages.
Title spread from Blondie: Against the Odds. A black-and-white collage shows Debbie Harry singing before the members of Blondie, with the Statue of Liberty and New York skyscrapers rising behind them.
Credits spread from Blondie: Against the Odds. White credits overlay a gritty black-and-gray collage of Debbie Harry, Blondie band members, a black cat, musicians on a rooftop, and the New York skyline.
Section spread from Blondie: Against the Odds. “The Story of Blondie” overlays a dark illustration of the Statue of Liberty on the left; black-and-white comic panels on the right follow a rat through New York.
Section spread from Blondie: Against the Odds. “The Songs of Blondie” overlays a dark Statue of Liberty illustration; the facing page shows Debbie Harry in a striped dress surrounded by televisions displaying the band members.
Title spread from Flatbush Zombies: 3001—A Prequel Odyssey. The dripping pink logo and a white skeletal figure with branching antlers appear on the right page against a soft pink background.
Credits spread from Flatbush Zombies: 3001—A Prequel Odyssey. Hot-pink credits in dripping horror lettering appear over a vivid lime-green background patterned with raised, flowing slime.
Gallery spread from Flatbush Zombies: 3001—A Prequel Odyssey. Gallery credits appear in dripping pink type over lime-green slime; the facing page shows the Flatbush Zombies celebrating beneath a towering white skeletal creature.
Title spread from Czarface: A Czar Is Born. The yellow, white, and black logo sits on a vivid red page above a burst of orange skulls streaking upward from the bottom edge.
Credits spread from Czarface: A Czar Is Born. Red credits appear on a golden-yellow page above an angular portrait of Czarface, while orange bubbles drift across the facing red page.
Gallery spread from Czarface: A Czar Is Born. Yellow gallery credits appear on a red page dotted with orange circles; the facing page shows the armored Czarface lunging forward against an explosive field of orange skulls.
Open endpapers of Czarface: A Czar Is Born, patterned with repeating yellow illustrations of Czarface’s helmeted skull across a bright red background.
Title spread from Swimmy and the Valley of the Last Song. A cyan-to-purple gradient fills both pages, with rounded white and purple title lettering above a close-up of Swimmy, a smiling brown bear wearing black glasses and a blue bandana.
Credits spread from Swimmy and the Valley of the Last Song. Purple-and-white credits overlay a pastel scene of Swimmy’s large smiling face surrounded by cartoon musicians, instruments, speakers, floating notes, and an open piano.
Foreword spread from Swimmy and the Valley of the Last Song. Teddy Swims’s message appears in white on a cyan page beside Swimmy singing into a microphone, wearing heart-shaped glasses and a blue bandana amid tangled cables and reaching arms.
Gallery spread from Swimmy and the Valley of the Last Song. A bear logo and purple musical notes frame the gallery credits on a blue-to-pink gradient; the facing page shows an upside-down man in sunglasses surrounded by colorful animal characters.
Open endpapers of Swimmy and the Valley of the Last Song. “Be Sweet” appears in white script on a cyan-to-purple gradient, facing a dense pattern of smiling brown bear faces wearing black glasses and bright blue bandanas.
Open endpapers of Swimmy and the Valley of the Last Song, covered with a dense, rotating pattern of smiling brown Swimmy bear faces wearing black glasses and bright blue bandanas.